Slow Life: Radical Practices of the Everyday
BY TYRUS MILLER · PUBLISHED 07/26/2020 SLOW LIFE: RADICAL PRACTICES OF THE EVERYDAY / LASSÚ ÉLET: RADIKÁLIS HÉTKÖZNAPOK, LUDWIG MUSEUM, BUDAPEST, APRIL 9 – AUGUST 23, 2020 Originally published in Art Margins: https://artmargins.com/slow-life-radical-practices-of-the-everyday/ […]
Science Historicized: Notes on Hans-Jörg Rheinberger’s On Historicizing Epistemology: An Essay
Hans-Jörg Rheinberger, On Historicizing Epistemology: An Essay, trans. David Fernbach (Stanford: Stanford University Press, 2010). In this short volume, Hans-Jörg Rheinberger surveys developments in the theory of science from […]
Playing for History: Notes On THE PLAYGROUND PROJECT
Gabriela Burkhalter, The Playground Project (Zurich: JRP| Ringier, 2018). The Playground Project: Architecture for Children. Deutsches Architekturmuseum, Frankfurt a/M. 9 November 2019-21 June 2020. This exhibition and catalogue, which originated […]
Review: Shirin Neshat, I Will Greet the Sun Again
19 October 2019-16 February 2019, The Broad, Los Angeles I Will Greet the Sun Again is a major retrospective of the photographic, installation, and film and video works of the […]
Art as Absolute: Adolf Behne’s The Return of Art (1919)
Adolf Behne, Die Wiederkehr der Kunst [The Return of Art], Leipzig: Kurt Wolff Verlag, 1919. Adolf Behne’s The Return of Art is an extended and rhapsodically-argued treatise offering an expressionist […]
New Southern Photography: Images of the Twenty-First Century South, Ogden Museum of Southern Art, New Orleans, Louisiana, 6 October 2018-10 March 2019.
The American South is not just a particular region on a map of the United States. It is a symbolic space of mythicized contrasts with the American “North” or “Midwest” […]
The Potency of Images: Reading David Joselit’s After Art
*David Joselit, After Art (Princeton: Princeton University Press, 2013). David Joselit’s book takes up the current condition of an accelerated and uncontrollably proliferating circulation of images, and specifically the […]
Gordon Walters, New Vision. Auckland Art Gallery Toi O Tamaki, Auckland, Aotearoa/New Zealand. 7 July-4 November 2018.
Gordon Walters (1919-1995) was New Zealand’s most celebrated abstract artist, receiving major critical and popular acclaim at home as well as internationally. His lifetime artistic oeuvre is surveyed in this […]
C. Wright Mills’ Critique of Pragmatism: Remarks on Sociology and Pragmatism: The Higher Learning in America (1964)
Sociology and Pragmatism: The Higher Learning in America, published after C. Wright Mills’ untimely death in 1962, derives from his dissertation A Sociological Account of Pragmatism, written twenty years earlier. Mills’ […]
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