Slow Life: Radical Practices of the Everyday

BY TYRUS MILLER · PUBLISHED 07/26/2020 SLOW LIFE: RADICAL PRACTICES OF THE EVERYDAY / LASSÚ ÉLET: RADIKÁLIS HÉTKÖZNAPOK, LUDWIG MUSEUM, BUDAPEST, APRIL 9 – AUGUST 23, 2020 Originally published in Art Margins: https://artmargins.com/slow-life-radical-practices-of-the-everyday/ […]

Read Article →

Science Historicized: Notes on Hans-Jörg Rheinberger’s On Historicizing Epistemology: An Essay

  Hans-Jörg Rheinberger, On Historicizing Epistemology: An Essay, trans. David Fernbach (Stanford: Stanford University Press, 2010). In this short volume, Hans-Jörg Rheinberger surveys developments in the theory of science from […]

Read Article →

The Potency of Images: Reading David Joselit’s After Art

  *David Joselit, After Art (Princeton: Princeton University Press, 2013). David Joselit’s book takes up the current condition of an accelerated and uncontrollably proliferating circulation of images, and specifically the […]

Read Article →

Gordon Walters, New Vision. Auckland Art Gallery Toi O Tamaki, Auckland, Aotearoa/New Zealand. 7 July-4 November 2018.

Gordon Walters (1919-1995) was New Zealand’s most celebrated abstract artist, receiving major critical and popular acclaim at home as well as internationally. His lifetime artistic oeuvre is surveyed in this […]

Read Article →

C. Wright Mills’ Critique of Pragmatism: Remarks on Sociology and Pragmatism: The Higher Learning in America (1964)

Sociology and Pragmatism: The Higher Learning in America, published after C. Wright Mills’ untimely death in 1962, derives from his dissertation A Sociological Account of Pragmatism, written twenty years earlier. Mills’ […]

Read Article →

“Delirious times demand delirious art.”

Delirious: Art at the Limits of Reason, 1950-1980. The Met Breuer, New York City, New York. September 13, 2017-January 14, 2018. The three decades encompassed by this exhibition—1950-1980—was a disruptive, […]

Read Article →